A publication about life in the pursuit of happiness

Posts Tagged ‘San Francisco’

Wandering in the Company of Strangers

Guadalajara, San Francisco, Los Angeles

images by: WANDERING IN THE COMPANY OF STRANGERS PARTICIPANTS:

Isrohan Alvarez, Guadalajara | Emilio Bañuelos, Guadalajara | Jorge E. Barragan, Guadalajara | Dana Barsuhn, Los Angeles | Dick Beery, Shreve | Caballo, Guadalajara | Monica Cardenas, Guadalajara | Elena Carrasco, Guadalajara | Zulema Carrasco, Stockton | Kevin Cortez, San Francisco | Michael J. Costa, San Francisco | Brad Evans, San Francisco | Noemi Flores-Zepeda, Zapopan | Sergio Garibay, Guadalajara | Sebastian Gladstone, Los Angeles | Yorch Gomez, Guadalajara | Francisco Graciano, San Jose | Ana Fernanda Goribar, Guadalajara | Rory Hejtmanek, San Francisco | Susan Hobbs, Cupertino | Cass Kissam,  San Francisco | Karla Louie, San Francisco | Marshall, Guadalajara | Suzanne Mir, Victoria | Carl Mogerley,  San Francisco | Thomas Murphy, Brooklyn | Paco Perez Arriaga, Guadalajara | Ibarionex Perello, Altadena | Unni Raveendranathan, San Francisco | John Rickard, Weed | Carla Saunders, San Francisco | Theo Slavin, San Francisco | Amanda Smith, San Francisco | RK Stephenson, Mesa | Karla Tarin, Guadalajara | Denisse Tatemura, Guadalajara | Martin Taylor, San Francisco | Patti Taylor, San Francisco | Rosella Tibig, San Francisco | Rikki Ward, San Francisco

words by: J. Eduardo Barragan, Guadalajara | Karla Tarin, Guadalajara

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Black Boots Ink at the San Francisco Exposure Gallery

We don’t have the words to express our gratitude for all your support.

It was great to see friends, family and new faces at the exhibition. Thank you San Francisco Exposure Gallery, Karna Kurata, Ariel Zambelich for the opportunity. Thank you all for making it through the rain to join us.

Thank you Jose Loera for documenting the Exhibition
http://loeraphotography.blogspot.com/

Participants: Nancy Ahn, Jennifer Ahn, Emilio Banuelos, Elena Carrasco, Alexcia DeVasquez, Sebastian Gladstone, Aimee Guymon, Ibarionex Perello, Victor Prieto, Unnikrishnan Raveendranathan, Theo Slavin thank you for making this an amazing exhibition.

If you missed the reception/artist talk you can visit the gallery Feb 4-March 27, 2010

The Exposure gallery is the site of a monthly “PhotoNight”, usually held on the second Thursday of every month. PhotoNights are sponsored by the San Francisco Bay Area Press Photographers Association. PhotoNight founder Jessica Lifland (jblif@sbcglobal.net) has produced more than 40 events at Exposure Gallery with guest speakers ranging from rock photography legend Jim Marshall to Pulitzer Prize and Robert Capa Award winner Carolyn Cole to Photoshop guru Russell Brown and Bay Area documentary photographer Michelle Vignes.

The Exposure Gallery is located at:
801 Howard Street
San Francisco, CA

They are always looking for creative and energized individuals to help manage the gallery.

For more information, please contact Co-Directors Karna Kurata and Ariel Zambelich at:
info [at] exposuregallery

We are finishing up the details and getting ready for a three day road trip to Mexico, where we will be closing the Wandering in the Company of Strangers project.


Love Politics

images by:

Emilio Bañuelos, San Francisco | Jorge E. Barragan, Guadalajara | Juan Carlos, Mexico City | Elena Carrasco, San Francisco | Ed Chow, San Leandro | Alexcia DeVásquez, San Francisco | Lydia Gonzales, Oakland | Pernilla Persson, San Francisco | Colt Peterson, Alamo | Unni Raveendranathen, San Francisco | Diana Sánchez, Oakland

Love Politics
by Ruby Cymrot-Wu

How can activism be a practice in love? I believe it must be, because activists need to learn how to love themselves and trust themselves to do the work that is necessary. Activism requires love to be sustainable. Whatever underemployed activist you are – an artist, a teacher, a community organizer – love can be the basis of your work. Not anger or frustration, but a passionate love of change, of your own self, and of the people around you.

As activists, our mission is to love the whole being of every individual, and work to improve each person’s quality of life by moving forward comprehensively and holistically.  It is strange that many of us believe this, but forget to include ourselves.   We are not pardoned. How can we fight for the improvement of the quality of life for others and simultaneously forget to leave room for our own feelings of elation and grief? As our society ignores the realness of emotional and mental stress for everyone, we feel that we must suppress our own experiences and struggles in order to be true, efficient leaders. There is a silencing of our needs, and we are forced to push ahead, perpetuating the cycle of our pervasive mental health crisis. Instead, we can combat the pandemic by doing our work passionately and forming our own practice of loving ourselves.

A fulfilling project, not to mention a paycheck, is a privilege not many are afforded.

And at the same time, we cannot take this privilege and turn it around into a guilt-ridden drive to ignore passions and needs that are not directly linked to an end goal.  We cannot give and expect nothing in return. The work can feed you in some way.

How can we bring our whole self to activism? By loving ourselves as well as the people directly affected by our activism. In the old Jewish teaching from Hillel “If I am not for myself, then who will be for me.” We must perpetuate a sustainable model for activists, or else our actions and movements in the present will fail in the future.  If we do not take this moment now, there will not be anyone to carry on the work, or even worse – no one to mentor the next generation of activists.

I charge each and every person to take a moment and reflect on what you can do to support yourself. Even if you take 10 minutes out of your day to drink a cup of tea, I encourage you to try it. It might just be the change you need to make change in our world.

more:

Spaces Between PlacesPublic PlacesMexicoIssue No. One | Mexico 2008 | Love Politics


Public Places


images by:

Jennifer Ahn , San Jose | Nancy Ahn, San Jose| Emilio Bañuelos, San Francisco | Elena Carrasco, San Francisco | Tim Gonzalez-Mena, Oakland | Francisco Graciano, San Jose | Kija Lucas, Oakland | Vu Nguyen, San Jose | Colt Peterson, Alamo | Victor Prieto, San Francisco | Diana Sánchez, Oakland

Keeping IT Out
Why we should do away with all public places
by
Greg Benchwick

I’ve really begun to hate everything public: Public busses with their surly drivers and sticky customers, candied seats and bubble-gum rails; libraries made for lounging street lizards and hypocritical intellectual hoods; parks with their goddamned fucking trees – so tall, so arrogant – the fucking sidewalks and public spaces with their skateboarding punks and gruesomely green grass. And of course there’s always the itinerant and frightfully exuberant youth in revolt that seems to grow out there like a germ. You must have to be young (or degenerate) to spend so much time out there with IT lurking around every corner.

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Workshop 2: Mt. Shasta

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Workshop No. Two: Mt. Shasta

BBI & NRCPA | Workshop The Visual Narrative and Landscape as Portrait
Instructors: Emilio Bañuelos | Elena Carrasco | Tim Gonzalez-Mena | Kija Lucas | Rika Noda | John Rickard
April 18- 20, 2008


WORKSHOP NO. TWO: MT. SHASTA PARTICIPANTS:
Chi Kwong Chow
, San Francisco | Alexcia DeVásquez, San Francisco | Rami Hyun, San Francisco | Michele Kagele, Pleasanton | Meghan McKay, Saratoga | Afton Moman, Lafayette | Cristina Martinez-Canton, Davis | Craig Neilson, Mt. Shasta | Victor Prieto, San Francisco | Theo Slavin, San Francisco | Colleen Virgilio, Oak Run

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In collaboration with the Noda Rickard Center for Photographic Arts and Earth Day as inspiration, Workshop No. Two is designed to help students maximize their understanding of the landscape as a portrait of the place. We will also discuss the visual narrative, editing and presenting your work to galleries.

The resulting images were published in Issue No. Four and exhibited at the Rostel Gallery, in Dunsmuir, CA.

more:

IAC 2008Landscape as Portrait: Mt. ShastaWorkshop Mexico 2007


Workshop Mexico 2007

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Black Boots Ink | Workshop Mexico
June 17-23, 2007
Instructor/Photographer: Emilio Bañuelos

WORKSHOP MEXICO 2007 PARTICIPANTS
Isrohan Alvarez, Zapopan | Elena Carrasco, San Francisco | Ivan Cruz, Guadalajara | Alexcia DeVásquez, San Francisco | Gustavo Espino, Zapopan | Eric Fullmer, San Francisco | Perla Gomez, Guadalajara | Lydia Gonzales, Bakersfield | Tim Gonzalez-Mena, Oakland | Kelly Koehler, San Francisco | Kija Lucas, San Francisco | Foppé Mallory, Pinole | Cristina Martinez-Canton, San Jose | Cecilia Monroy, Chiapas | Colt Peterson, Alamo | Genaro Ramírez, Zapopan | Jorge Roa, Zapopan | Jorge Romero, Guadalajara | Diana Sánchez, Oakland


COURSE DESCRIPTION

Black Boots Ink is about the curiosity that makes you walk into a new situation. It is about wandering in the company of strangers, about stopping, walking, working, protesting, progressing–it is about all of us.

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The first Black Boots Ink Workshop takes place in Guadalajara, Jalisco, Mexico, with photographer Emilio Bañuelos. The seven-day workshop culminates with a public exhibition of the final images and a selection of the images will be considered for publication in blackbootsink.com.

Workshop Mexico, participants will have the opportunity to make images that show relationships between people and their environment.You will learn to photograph people and landscapes while creating a visual narrative. Workshop sessions are designed for practical use with instruction for daily shooting, personalized working critiques and editing.

Morning workshops will be held at Instituto Cultural Cabañas a cultural center designed by Manuel Tolsá in 1810. The Instituto’s106 rooms and 23 flower-filled patios house art exhibitions and the main chapel displays 57 murals by José Clemente Orozco from1938-39, including The Man of Fire.

Afternoons will be set aside for daily trips to visit Guadalajara’s neighboring towns. We will travel by bus to visit the Basilica de Zapopan, which dates back to 1730, the Zona Rosa, and the village of Tapalpa, Jalisco, where you will have time to make photographs and learn about contemporary Mexico.


more:

IAC 2008Landscape as Portrait: Mt. ShastaWorkshop Mexico 2007


Issue No. One

images by:

Jennifer Ahn , San Jose | Nancy Ahn, San Jose | Emilio Bañuelos, San Francisco | Juan Carlos, Mexico City | Elena Carrasco, San Francisco | Jeff Christopher

Publications about women are often published with the intention of defining them. Black Boots Ink is taking a different approach. Each photograph is an individual statement about women and as an essay the images undertake a discussion with the viewer using photographs to create dialogue.

We invite you to share your knowledge, please leave a comment.

What makes a woman, motherhood, beauty, strength…?
Your words are a part of this work.

more:

Love PoliticsSpaces Between PlacesPublic PlacesMexicoIssue No. One | Mexico 2008