Even with her strong will and personality, I love her unconditionally, like no other. I know I could survive without my husband, even though I love him. I know he would also be fine without me. But without my daughter, I would be torn to pieces. I can’t even think about it because my eyes well up with tears. I would do anything for her, anything to protect her and I pray that I can give her my best and be the best mommy I can be. I pray that our relationship will even get better as she grows up.

by Dan Farnum

For many recent years the FBI has designated my hometown of Saginaw, Michigan as having the most violent crimes per capita in the country. Flint and Detroit are also frequently listed in the top ten. These photographs investigate the condition of cities and neighborhoods in Michigan after years of economic decomposition. This work documents the people who remain when others fled and the places they inhabit amidst a backdrop of mass exodus.

Primarily I focus on teenagers and young adults: The disenfranchised, the urban pioneers and the hipsters whose youthfulness contrasts the harsh condition of the places in which they are photographed. These pictures capture an approachability and vulnerability in people who are typically misunderstood. Surprising, they have an urge to interact with the camera.

This is an important and pivotal time in the state’s history due to the recent national focus on this area brought about by sky rocketing unemployment, controversial automotive bailouts, and continuing crime. My background as a former resident allows me to view Michigan with a level of intimacy and familiarity that more fully addresses the physical as well as the mental ramifications of living in such a challenging place.

by Dan Farnum

For many recent years the FBI has designated my hometown of Saginaw, Michigan as having the most violent crimes per capita in the country. Flint and Detroit are also frequently listed in the top ten. These photographs investigate the condition of cities and neighborhoods in Michigan after years of economic decomposition. This work documents the people who remain when others fled and the places they inhabit amidst a backdrop of mass exodus.

Primarily I focus on teenagers and young adults: The disenfranchised, the urban pioneers and the hipsters whose youthfulness contrasts the harsh condition of the places in which they are photographed. These pictures capture an approachability and vulnerability in people who are typically misunderstood. Surprising, they have an urge to interact with the camera.

This is an important and pivotal time in the state’s history due to the recent national focus on this area brought about by sky rocketing unemployment, controversial automotive bailouts, and continuing crime. My background as a former resident allows me to view Michigan with a level of intimacy and familiarity that more fully addresses the physical as well as the mental ramifications of living in such a challenging place.

This is also where I could have done better as a parent. Sometimes I would be so involved in my plans to provide good nutrition for her, to do this and that for her, and would not listen to her when she would try to tell me she was not hungry or didn’t want to do this and that. I would have liked to have more patience and more knowledge as a parent; I would have handled lots of situations better.

by Dan Farnum

For many recent years the FBI has designated my hometown of Saginaw, Michigan as having the most violent crimes per capita in the country. Flint and Detroit are also frequently listed in the top ten. These photographs investigate the condition of cities and neighborhoods in Michigan after years of economic decomposition. This work documents the people who remain when others fled and the places they inhabit amidst a backdrop of mass exodus.

Primarily I focus on teenagers and young adults: The disenfranchised, the urban pioneers and the hipsters whose youthfulness contrasts the harsh condition of the places in which they are photographed. These pictures capture an approachability and vulnerability in people who are typically misunderstood. Surprising, they have an urge to interact with the camera.

This is an important and pivotal time in the state’s history due to the recent national focus on this area brought about by sky rocketing unemployment, controversial automotive bailouts, and continuing crime. My background as a former resident allows me to view Michigan with a level of intimacy and familiarity that more fully addresses the physical as well as the mental ramifications of living in such a challenging place.

by Dan Farnum

For many recent years the FBI has designated my hometown of Saginaw, Michigan as having the most violent crimes per capita in the country. Flint and Detroit are also frequently listed in the top ten. These photographs investigate the condition of cities and neighborhoods in Michigan after years of economic decomposition. This work documents the people who remain when others fled and the places they inhabit amidst a backdrop of mass exodus.

Primarily I focus on teenagers and young adults: The disenfranchised, the urban pioneers and the hipsters whose youthfulness contrasts the harsh condition of the places in which they are photographed. These pictures capture an approachability and vulnerability in people who are typically misunderstood. Surprising, they have an urge to interact with the camera.

This is an important and pivotal time in the state’s history due to the recent national focus on this area brought about by sky rocketing unemployment, controversial automotive bailouts, and continuing crime. My background as a former resident allows me to view Michigan with a level of intimacy and familiarity that more fully addresses the physical as well as the mental ramifications of living in such a challenging place.

by Dan Farnum

For many recent years the FBI has designated my hometown of Saginaw, Michigan as having the most violent crimes per capita in the country. Flint and Detroit are also frequently listed in the top ten. These photographs investigate the condition of cities and neighborhoods in Michigan after years of economic decomposition. This work documents the people who remain when others fled and the places they inhabit amidst a backdrop of mass exodus.

Primarily I focus on teenagers and young adults: The disenfranchised, the urban pioneers and the hipsters whose youthfulness contrasts the harsh condition of the places in which they are photographed. These pictures capture an approachability and vulnerability in people who are typically misunderstood. Surprising, they have an urge to interact with the camera.

This is an important and pivotal time in the state’s history due to the recent national focus on this area brought about by sky rocketing unemployment, controversial automotive bailouts, and continuing crime. My background as a former resident allows me to view Michigan with a level of intimacy and familiarity that more fully addresses the physical as well as the mental ramifications of living in such a challenging place.

Beautiful Silence

Irwin Lewis

There were so many things that stood out for me, but one in particular that stood out was the people and how kind they were.  They were not just kind to each other they were also kind to their environment.  I feel that having respect for others and your environment is the most important thing in life.

We were happy to take part in the Camera Club of New York‘s  Second Annual Zine and Self-Published Photo Book Fair organized by Lindsey Castillo on Saturday, July 16 & Sunday, July 17, 2011, 12-6pm.

The zine and self-published photo book is a contemporary approach to photography in its published form, celebrating the book as well as offering artists a vehicle to spread their art and ideas.The public will be invited to come, browse, purchase and meet the people involved with the burgeoning zine and self-published art world.

 

©Elena Carrasco

I remember as a little girl watching my older sisters getting ready for the day. I would sit on the edge of the bed watching them powder their faces, spray perfume, run a stick of a creamy bright color back and forth on their lips. They were like birds flaunting their feathers.

My work focuses on self-image, expectations, transitions, and the rituals girls perform to arrive at adulthood. I am intrigued by rules of etiquette, that prescribe what women should look like, how they should behave, and what they should believe .